Matthew pointed out that I have been spelling Hop Vine two ways: Hopvine as one word, and Hop Vine as two words. This is because I have seen it written both ways, and personally I don’t have a strong preference. Perhaps I should be more consistent, but I don’t have good criteria for choosing between the two spellings. Without good criteria, some decisions just can’t be made. INTP anyone?
Meanwhile, here are three more pieces that I’ve woven on this warp. I re-wrote the treadling to maintain a consistent tabby order, so the pattern looks a little different from my earlier woad- and madder-dyed pieces. All the yarns in this group are commercially dyed.
The one below has 10/2 tencel in Moroccan Blue for the pattern weft and 20/2 UKI cotton in Deep Turk for tabby:
You can see the actual color of the 20/2 yarn on the bobbin closest to the reed. You might be asking, “What happened to that bright blue?” The background of the cloth looks very light because the warp is off-white. It mutes the tabby color. As I recall from a class on color theory for weavers with Susan Loring Wells, a color plus white is called a tint. Continue reading “More Hop Vine and A Color Theory Question”
Thanks to a couple days off from work, I have sewn up three new books with the Hop Vine motif. Two have a woad-blue pattern weft, and one has madder-pink pattern weft. Continue reading “Hop Vine Books”
Back at the beginning of September I was surprised to discover that tons of flax seeds which I’d dumped out of a retting tank in the back yard had managed to germinate, despite having been waterlogged and fermented, and still being in their pods. You can read my original post here.
After I came back from the very inspiring flax processing workshop at Rhinebeck in October, I decided retting was done for the season even though I had one more portion of the 2012 crop left to ret. So, on Sunday October 21st I poured out several buckets of water I’d been saving. As I was dumping the water onto the grass, I was amazed to spy dozens of flax plants growing in the lawn beside our apartment, under the shade of a huge spruce. Continue reading “Hardy Flax”
My new book cloth is a variation of a miniature overshot motif called Hopvine. To create my threading I worked from two other drafts. One was “Modified Hopvine” from a sampler from the Hill Institute. The other was “Modified Hop Vine” from Marguerite Davison’s classic A Handweaver’s Pattern Book. The threading from Hill had too many ends in each pattern repeat to suit the scale of my book covers (5.5 inches by 8 inches) so I wanted to make the motif smaller. The Davison draft had fewer ends in a repeat but looked weirdly jittery in the drawdown in my weaving software.
So, I tinkered until I found a satisfying balance in the pattern, and am still tinkering with the treadling. The design consists of two different diamonds, one a longer and more pointed and the other a little more squat and rounded. I am not sure if these are supposed to evoke different elements of a hop vine, for example the leaves and the inflorescences. Or maybe the name of the pattern has a different origin. There are some nice images of hops plants here.
For those of you who recall my emboldening tabby travails of a year ago, you might be surprised to hear that I ran into the same problem of keeping a consistent tabby this time, also. Sigh. Continue reading “Hopvine”
On Wednesday November 14th I gave a presentation to the Weavers of Western Massachusetts about my Coptic bound books with handwoven cloth covers. It was very flattering to be invited to share my work with such an accomplished group of weavers, and I really appreciated the opportunity to talk about my process to an interested audience. It was a lot of fun. Continue reading “Guild Presentation”