Thanks to a snow day on Friday February 8th, courtesy of winter storm Nemo, I got a lot of weaving done on my rya. I was well past the mid-way point by mid-day on Saturday. However, I decided I wasn’t satisfied with the transition from green to celedon to yellow at the center. In the process of redesigning this transition, I decided to make the whole design taller, i.e., more square. I wasn’t looking forward to all the extra work of re-weaving, but I decided I’d rather have a piece I was happy with. Continue reading “Re-Weaving the Rya”
Rya is a Swedish technique for making long-pile rugs or wall-hangings. Historically, as I understand it, these textiles were used as bed-covers. The pile side faced your body in bed, and the “back” side faced up. I am weaving this one to be a wall-hanging.
The knots don’t go all the way to the selvedge. Instead, there is a small area of plain weave at each selvedge called the argatch. Here’s how I weave it:
After about two years of planning a series of naturally dyed rya wall-hangings in my mind, I am finally weaving one! I am very excited about it. There are many steps involved. First, I dyed pounds and pounds of woolen yarn. You can read about the process in earlier posts: black walnut, Lady’s bedstraw, Queen Anne’s Lace and woad, and orange cosmos. This project features Queen Anne’s Lace and woad.
Then, I set up the warp. It is 8/4 natural linen from Webs,124 ends, a little shy of 21 inches wide in the reed, set at 6 ends per inch in a 12 dent reed, sleyed 1-0-1-0-1- etc.. When it’s done I expect it will be about 14 inches high. Continue reading “Rya Weaving”