Gardening season is kicking into gear here in Amherst, MA. This year I am planning to add swamp milkweed (Asclepias incarnata) and amsonia (Amsonia spp.) to my fiber and dyeplant garden at Bramble Hill Farm. I got the swamp milkweed seeds from my sister, Simone, from a plant near her apartment. You can see a photo of some cordage I made from it in an earlier blog post here.
I was inspired to grow amsonia after botanist and fellow-flax-enthusiast, Carolyn, brought some gorgeous bast fibers from her amsonia plants to one of our flax and linen study group get-togethers. On my initial foray to Andrew’s Greenhouse yesterday I found three varieties of amsonia available, but wasn’t sure which one might be best, so I shot off an email to Carolyn. She sent back some good advice, plus this incredibly awesome link which I must now urgently share with anyone else who might be reading my blog! Continue reading “Microscopic Fiber Images”
These last two posts are very belated, so a reader may have totally forgotten that the weld and cosmos baths I’m talking about were left over from my workshop at the annual spring conference of Mass.Ag. in the Classroom back on March 8th.
Compared to the questions raised by the weld exhaust process, the exhaustion of the orange cosmos bath was relatively straightforward. I only dyed woolen yarns, mordanted with aluminum sulfate. Below you can see the first exhaust skein in the dyebath:
Here are the colors of yarns once they were rinsed and dried! Continue reading “Exhausting the Orange Cosmos”
After those intense, vivid colors on 40/2 linen yarns from the first and second weld exhaust baths, I assumed there was still quite a bit of color left in the bath. I thought it would be fun to try a couple experiments. My first experiment was to put a mordanted cotton-linen blend skein in the weld bath overnight, but not to heat it at all.
Why would I even try this? Well, the answer is kind of a long story. Even though my usual method is to apply heat when extracting color and dyeing fiber, I am very aware of the fact that this requires energy. Way back in 2006 I was lucky enough to get the opportunity to travel to Kyrgyzstan along with feltmaker Karen Page, to work with a group of women in a village who wanted to develop a crafts business. My part of the project was to teach them what I knew about natural dyeing, and Karen’s job was to teach them new felting techniques. Continue reading “Exhausting the Weld Bath Part Two”