Flax is Up

Despite the enormous backlog of unprocessed flax under the bed, in the closet, and in the back of the car, I decided to plant more flax this year. I am growing Marilyn from the Hermitage. In my trials last year, Marilyn grew the tallest but also had the most trouble with lodging (flopping over and getting tangled on the ground). This year I am aiming for long, fine fiber. The little “line” I have managed to process thus far from years past is fairly coarse and stiff. I have always harvested around 90 days after planting, sometimes a bit later. My plan this year is to harvest much earlier than I have in the past, and then to compare the fiber with past crops.

Here I am digging up the plot last Saturday. Matthew helped me dig it, but he’s taking the photo. The plot is 4 by 25 feet, 100 square feet, into which I sowed a pound of seed. Actually, I saved some aside for filling in bald spots.

digging the bedThe soil was very dry since we have had a dry spring. I added six bags of Fafard organic compost. Later I realized the bags said “Not a plant food product.” I am not sure what this means exactly. I assume it means it adds organic matter but no nutrients, which will only be marginally helpful. I took a soil sample after I mixed in the compost, so we’ll find out about the nutrients one way or the other. If it helps with water retention in our sandy soil, that will be good at least. The compost is very dark compared to the dust-dry soil.

compost on dry soilI mixed in the compost, then broadcast the seed by hand. Then I raked to settle the seeds down into the soil, and then pressed it all down firmly by standing on a couple two by fours.

pressing down the soilHere’s the bed all planted and pressed on Saturday May 4th, 2013.

planted flax bedThe early part of the week was dry, so I watered every day. Then we had a rainy spell, thankfully. Today, Friday May 10th, it is up!

flax seedlingsAs you can see, I have once again managed to sow very unevenly.

flax seedlings close upflax seedlings bald spotSo, I’ll fill in some of the bald spots with the rest of the seed.

Madder is Up

Spring has sprung here in our corner of Massachusetts, despite the sleet and hail yesterday. Today Matthew and I went to check on the madder at my dye and fiber plant garden at Bramble Hill Farm.

The madder has been there for three summers now. It likes the location, and has been spreading very nicely. After trying to keep it contained for the first couple years, I decided to double the width of the bed this season. So, today Matthew and I dug up the roots and shoots outside of the parameters of the new bed. Continue reading

Easter Egg

Today I wove the wood thrush’s “egg” part of my nest-like rya. The egg is dyed with woad and Queen Anne’s Lace. The nest is dyed with black walnut. The darkest shade of brown right around the egg is hand-spun naturally brown Romney singles combined with my darkest shade of black walnut. Romney is a breed of sheep. I bought a huge bittersweet chocolate colored fleece many years ago at the Webs Fleece Market, but alas I can’t remember who I bought it from.

Row one:

egg row one Continue reading

Nest Rya

Once again, thanks to a snow day on Tuesday, I have made more progress on my new rya this week than I might have otherwise. Nevertheless, it is posing many challenges. The design is supposed to resemble an egg in a nest (Matthew’s idea–Thanks, Matthew!). Specifically, I’m thinking of a wood thrush egg, which is a very beloved bird to me. My colors are shades of tan and brown, dyed with black walnut, and blue-green for the egg, dyed with Queen Anne’s Lace and woad. Wood thrushes like to incorporate white material into their nests, so there is a very light colored layer around the outside of my design. Continue reading

Finished Rya

I finished my rya! Here it is enjoying the warm sunshine outdoors this morning.

P1190005

The yarns were all hand-dyed by me last July (2012) using woad from my garden and Queen Anne’s Lace from garden “weeds” and from scrubby places around town (e.g., under the powerlines and along the sides of Route 9 and Main St. here in Amherst). The blues are dyed with woad, the yellows are Queen Anne’s Lace, and the greens are Queen Anne’s Lace overdyed with woad. The mordant is aluminum sulfate. The yarns are single ply rug wool. Each knot is made with three strands of yarn. The warp is 8/4 unbleached linen.

This is my 100th post, and I feel very pleased to have made something so pretty to share on this occasion.

New Hop Vine Books

I have sewn up a few more books with the Hop Vine pattern on the cover. One was actually sewn in Maryland on February 20th, where I was visiting my sister who is about to have her second baby. From there it was promptly mailed off to Arizona, from whence it will travel to Ohio. Not a carbon-neutral book, alas. However, it was blessed by the paw of the Pippi, so I’m sure its sins are forgiven.

Often when I am working on something involving glue or paper or yarn, the cat jumps up to “help.” At least, that’s what we always say. “Pippi likes to help.” Then we say, “Don’t help, Pippi!” In this case, though, I was happy she was helping. Because…. Continue reading

Re-Weaving the Rya

Thanks to a snow day on Friday February 8th, courtesy of winter storm Nemo, I got a lot of weaving done on my rya. I was well past the mid-way point by mid-day on Saturday. However, I decided I wasn’t satisfied with the transition from green to celedon to yellow at the center. In the process of redesigning this transition, I decided to make the whole design taller, i.e., more square. I wasn’t looking forward to all the extra work of re-weaving, but I decided I’d rather have a piece I was happy with. Continue reading

Rya Knots

Rya is a Swedish technique for making long-pile rugs or wall-hangings. Historically, as I understand it, these textiles were used as bed-covers. The pile side faced your body in bed, and the “back” side faced up. I am weaving this one to be a wall-hanging.

The knots don’t go all the way to the selvedge. Instead, there is a small area of plain weave at each selvedge called the argatch. Here’s how I weave it:

rightargatch Continue reading

Rya Weaving

After about two years of planning a series of naturally dyed rya wall-hangings in my mind, I am finally weaving one! I am very excited about it. There are many steps involved. First, I dyed pounds and pounds of woolen yarn. You can read about the process in earlier posts: black walnut, Lady’s bedstraw, Queen Anne’s Lace and woad, and orange cosmos. This project features Queen Anne’s Lace and woad.

Then, I set up the warp. It is 8/4 natural linen from Webs,124 ends, a little shy of 21 inches wide in the reed, set at 6 ends per inch in a 12 dent reed, sleyed 1-0-1-0-1- etc.. When it’s done I expect it will be about 14 inches high. Continue reading