In this post I will describe more details about the dyebaths we made at the Inside-Outside Conference in Keene on October 21st. We ran four dyebaths with madder root, marigolds, weld, and orange cosmos. As usual when I am running or leading an event, I didn’t get any photos. Hopefully the notes provided here will be useful even if they are lacking in visual information.
First of all, the fiber we were dyeing was woolen yarn. We dyed four skeins, each of which was 4 oz. I had pre-mordanted the skeins many weeks earlier with aluminum sulfate at a rate of 2 Tbsp. per 8 oz. (2 skeins could fit in a pot). The skeins had dried in the meanwhile, and had been soaked in water on the day of the workshop to “wet them out”, i.e. make sure they were thoroughly wet before dyeing. Continue reading “Inside-Outside Part Two”
On October 21st, 2017 I presented a workshop on growing and using dye plants with kids at the Inside-Outside Conference in Keene, NH. The conference was a collaboration of several local organizations, including Antioch University New England, the Monadnock Region Placed-Based Education Committee, the Harris Center for Conservation Education, the Caterpillar Lab, Symonds Elementary School (where the conference was held), and the Keene School District. The theme was “Promising Practices in Nature- and Place-Based Elementary Education.” You can view the full brochure here.
The audience was K-6 educators from a variety of educational settings. I don’t mention this very often on this blog, but I actually am a teacher! I co-teach in a combined first and second grade at the Common School in Amherst, MA, where I’ve been working since 2004. Most of the time, I am in the classroom doing all the usual academic things: reading, writing, word study, math, science, social studies, arts and crafts. I do fiber and dye projects with kids when I can, and the rest of the time I squeeze it in on weekends and vacations. Continue reading “Inside-Outside”
Way back in August I ran a Japanese indigo vat. Here’s what the bed of Japanese indigo plants looked like on August 20th:
I have only dyed with fresh Japanese indigo leaves a few times, so I am still trying to develop skill with the process. An important part of developing skill is repetition. Another important piece is learning and testing new things, and then trying to understand why they do or don’t work. Luckily, this vat afforded me all of those opportunities!
I picked 22 oz. of plant material, which yielded exactly 1 pound (16 oz.) of leaves trimmed off of the stems. Here are the tips of the plant stalks that I harvested:
On the left are the stems, and on the right is the bag with just the leaves in it. It’s a really beautiful plant! It has sweet little hairs, wrapped-around layers, exciting color contrasts, and an interesting juxtaposition of rigid and luscious textures. Continue reading “Japanese Indigo August 2017”
This has been an extremely prolific year for Queen Anne’s Lace, also known as wild carrot or Daucus carota. It is absolutely everywhere!
Back in July I ran two dyebaths with fresh Queen Anne’s Lace flowers. Since it’s so abundant, I decided to just use the flowers this time, though you can use the whole plant. For the first dyebath, I had no trouble collecting 30 oz. of flowers from various spots around Amherst, including the sides of parking lots, the side of the road, and next to bus stops.
The flowers are incredibly fragrant and sticky, and consequently they host a huge range of insects. When you pick the flowers, all the insects come along, too. This fact gave rise to a new house-hold rule:
I weighed the plant material outdoors! I also made the first dyebath outside on the portable electric stove outdoors. We had some rainy weather after that, so I made the second dyebath indoors using 24 oz. of flowers that I picked in Hadley. Continue reading “Green Yarn”
Over the past year, I have had several opportunities to demonstrate flax processing and talk about natural dyeing. Here is a quick summary of four events that I didn’t get around to writing about when they happened. I just want to document and share them before too much more time passes.
Last August (2016) I did a flax processing demonstration at the Amherst History Museum, in conjunction with the art exhibit “Artifacts Inspire” by the Fiber Artists of Western Massachusetts. The museum asked the participating artists to create original works inspired by objects in the museum’s collection. Two of the pieces in the show were created by Martha Robinson, inspired by two antique hetchels, which are flax processing tools. There’s a good photo of one of her felted pieces here. It was great fun to show people how flax was processed in the past, and to let folks try their hand at using the tools. Continue reading “Past Speaking Engagements”
One of the fun things I got to do last week was to visit the Farm School in Athol, MA, and to lead a natural dyeing workshop for the participants in their adult farming program. The Farm School combines two of my favorite things: agriculture and education. I had never visited their farm before, so I was thrilled to have the opportunity to be there and to get a better understanding of their different programs. I was greeted by this cheery sign when I first arrived:
Continue reading “Farm School Dye Day”
On July 18th and 19th I ran a woad vat! This is exciting because last summer I planted woad, but didn’t have time to use it for dyeing. That made me sad, and I vowed to rectify that this summer. This summer I planted two beds about a month apart, so that the leaves will mature at different times. I ran this first vat of the summer with much glee and happiness.
I stuck with my tried and true but not truly “sustainable” chemical vat, using ammonia and RIT Color Remover. One of these years I will learn how to precipitate my own woad powder and master a natural fermentation vat (maybe even the urine vat!). Meanwhile I dyed some fiber blue with my own woad and it made me happy. Continue reading “Gleeful Woad Vat”
After all the flax-related posts lately, you might be justified in thinking that I don’t care about dye plants anymore. Not true! I thought I’d kick off what I hope will be a series of posts about dye plants with a link to a fascinating article about recent research on lichen.
OK, technically a lichen isn’t a plant. What exactly is it? Well, I used to think that a lichen was a symbiotic organism composed of a fungus and an algae (perhaps more accurately, “alga” singular). My go-to definition is from Lichens of North America by Irwin M. Brodo, Sylvia Duran Sharnoff, and Stephen Sharnoff. This massive and beautiful book is one of my prized possessions, acquired from Raven Used Books in Northampton many years ago (FYI my beloved Matthew is a former employee and does their website, as well as websites for many other good folk). I abbreviate the definition here:
“[A] lichen is not a single entity, but a composite of a fungus and an organism capable of producing food by photosynthesis. Lichen fungi can associate with green algae or cyanobacteria (the latter also known as blue-green algae), or sometimes both […]. The special biological relationship found in lichens is called symbiosis.”
The authors also offer a sweet, almost diminutive term for the photosynthetic symbiont, “photobiont, for short,” which is a word I aspire to slip into casual conversation more often. (Well, OK, ever!)
However, please follow this link for some exciting new insights into the life of lichen ….
OK, so I said earlier that I am bad at winnowing. This is still mostly true. I also said that on the next sunny weekend day I would use the wine bottle method to get the seeds off my flax in an efficient way. This is only a bit true, but it’s “truthy” in a way that can be explained with details and isn’t a lie.
This post is about how I spent a significant portion of April vacation removing the seeds from six varieties of flax from last summer, and got it cleaned up for planting. I know that ostensibly my blog is about dyeing, but I have been flax-obsessed lately. You might have noticed the flaxy-flaxy-flax-flax theme…. So, yeah. Flax. Again. Continue reading “Winnowing and Wine Bottles”
It is a truth universally acknowledged that if you want to process flax, you’d better do it while the humidity is low. I am not entirely positive why this is so, but I know from experience that it is true. If you try to break or scutch your flax while it’s humid, the stalks just bend and the shives cling to the fibers for dear life. You do not hear the gratifying crackling, snapping sounds that should accompany such activities. It is arduous and futile. Well, maybe not futile, but it’s certainly a lot easier and more successful when the humidity is low.
I suspect that this is related to one of the properties of linen that make it a desirable fabric. Flax fibers are hydrophilic, meaning that they absorb water easily. I am sure someone has done research on how being damp also makes flax want to stick to itself. If you know of good resources on this, shoot me an email.
For the past several days here in western Massachusetts, we have had very, very low humidity. Well, low for Massachusetts. It’s been anywhere from 30-50% in the morning, dropping to about 18% in the afternoon. The weather has also been bright, sunny and warm. And best of all, it is April vacation! So, I have had time to sit and process flax! Everything I’m working on this week is the variety Marilyn, though I’m chipping away at bundles from various years. Continue reading “Low Humidity! April Vacation!”