On Saturday September 22nd I did a natural dyeing demo at Farm Aid 2018 in Hartford, CT. Yes, Farm Aid, as in Willie Nelson, Neil Young, John Mellencamp, and Dave Matthews. It turns out that Farm Aid isn’t just a concert, it’s a day-long festival celebrating family farms and local agriculture. The festival has a huge focus on education. My table was in an area called the Homegrown Village, featuring dozens of organizations with creative, informative, interactive exhibits and activities. I was in the Homegrown Skills Tent, along with cheesemakers, beekeepers, papermakers, seed savers, and herbalists: a very interesting crowd!
It was a big thrill to be part of it. And I mean “big” literally. Despite the boggling complexity of logistics involved in pulling off such a huge event, everyone was incredibly friendly and helpful. I owe many thanks to the electricians who hooked me up with power to run my electric stoves, and then rescued our extension cords at the end of the day, to the volunteers who helped us unload and pack up, and to the person who was coordinating our whole area, Jessica Kurn. Thanks to everyone’s hard work and positive attitudes, it was a really fun day.
Continue reading “Farm Aid 2018”
On Memorial Day Weekend I did a dyeing demonstration at Massachusetts Sheep and Woolcraft Fair in Cummington, MA. I’ve done demos there before, but this year was special. I was dyeing hand-spun yarns from a variety of sheep breeds, spun by Lisa Bertoldi of Weft Handwoven Linens, and supported by a grant from the Northeast Handspinners Association.
Here was the table with examples of my own naturally dyed handspun yarns, some of my favorite books, fliers for the Northeast Handspinners Association, and a 6-pack of marigolds:
Continue reading “Massachusetts Sheep and Woolcraft 2018”
Since it has been so many months since I last posted, I am trying to catch up in chronological order. My last series of posts was from December 2017. This one is from February 2018.
Thanks to the efforts of Carole Adams of Whispering Pines Farm, and Liz Sorenson of Sheep and Shawl, among others, we have a new local tradition here in Western MA called FIBERuary. During the month of February, Carole features local fiber farmers and fiber artists on the FIBERuary blog, and Liz hosts a speaker series at her shop in South Deerfield, MA.
I have been a contributor to the FIBERuary blog on a couple occasions, and a speaker at their speaker series. In these hot and humid days of August, I decided to share an expanded version of the post I wrote this February. It’s about one of my favorite dye plants, weld: Continue reading “FIBERuary 2018”
If you read my post about the tannin-iron-madder experiment, you may have noticed that I divided the original dyebath in half. I didn’t explain why at the time. My rationale was this: I worried that the iron would affect the subsequent colors I got from the exhausted dyebath.
For the rest of the experiment, I prepared small pieces of cotton cloth with three different treatments, which I’ll describe below.
You can read my original post here for a description of how I made the madder dyebath and prepared the fiber.
Usually when I’m extracting madder roots, I use calcium carbonate and soda ash to make the water mineral-rich and alkaline. The soda ash is inspired by a comment by Rita Buchanan in A Weaver’s Garden that “the pigment alizarin dissolves better in alkaline solutions.” In Jim Liles’ recipe for “Amish Madder Purple” he directs you to use calcium or chalk in the dyebath (though he specifies calcium acetate). He doesn’t mention pH, so for that sample I didn’t mess with the pH (which was 7). Continue reading “More Madder on Cotton”
I have often joked that using black walnut hulls on white wool is perhaps not the best use of my time. Black walnut hulls make various lovely shades of brown, but there are plenty of brown sheep.
Dyeing cotton brown, on the other hand, makes sense. There are naturally brown cottons, but they are not commonplace. Sally Fox has spent many years breeding naturally colored cottons in a range of beautiful colors, which you can see for sale here. However, most of the cotton that’s available at the moment is white.
Using the same heavy cotton twill samples that I used for the tannin-iron-madder and tannin-copper-weld experiment, I ran some samples with black walnut hulls. I should note that black walnut itself is a source of tannin, so the tannin step at the beginning was probably redundant. However, for this series of experiments, I treated the whole piece of cloth with tannin originally before I cut it up for samples. Continue reading “Tannin and Black Walnut on Cotton”
As I mentioned in my last post, tannin is an important component when dyeing cotton. The same week that I ran my tannin-iron-madder experiment, I also made this lovely color with a tannin-copper-weld sequence:
Continue reading “Tannin, Copper, and Weld on Cotton”
Way back in December, around the time of the winter solstice, I ran some dyeing experiments with heavy cotton twill cloth. I have had some frustrations with cotton over the years, some of which I’ve documented here on this blog. On cotton yarns and cloth, I often get colors that are much lighter than I want, or a different shade than I was expecting.
Nevertheless, there are some colors and techniques that have always intrigued me. So in December I tried a recipe for “Amish Madder Purple” from Jim Liles’ book The Art and Craft of Natural Dyeing.
Cotton, like other plant-derived fibers, is primarily composed of cellulose. Cellulose is harder to dye with natural dyes than protein fibers. Protein fibers come from animals, for example: wool from sheep, mohair from Angora goats, alpaca from alpacas, llama from llamas, and angora from rabbits. Plant fibers can come from a wide range of sources, such as cotton, linen (from flax), hemp, and ramie (from a type of nettle). Continue reading “Tannin, Iron and Madder on Cotton”
In this post I will describe more details about the dyebaths we made at the Inside-Outside Conference in Keene on October 21st. We ran four dyebaths with madder root, marigolds, weld, and orange cosmos. As usual when I am running or leading an event, I didn’t get any photos. Hopefully the notes provided here will be useful even if they are lacking in visual information.
First of all, the fiber we were dyeing was woolen yarn. We dyed four skeins, each of which was 4 oz. I had pre-mordanted the skeins many weeks earlier with aluminum sulfate at a rate of 2 Tbsp. per 8 oz. (2 skeins could fit in a pot). The skeins had dried in the meanwhile, and had been soaked in water on the day of the workshop to “wet them out”, i.e. make sure they were thoroughly wet before dyeing. Continue reading “Inside-Outside Part Two”
On October 21st, 2017 I presented a workshop on growing and using dye plants with kids at the Inside-Outside Conference in Keene, NH. The conference was a collaboration of several local organizations, including Antioch University New England, the Monadnock Region Placed-Based Education Committee, the Harris Center for Conservation Education, the Caterpillar Lab, Symonds Elementary School (where the conference was held), and the Keene School District. The theme was “Promising Practices in Nature- and Place-Based Elementary Education.” You can view the full brochure here.
The audience was K-6 educators from a variety of educational settings. I don’t mention this very often on this blog, but I actually am a teacher! I co-teach in a combined first and second grade at the Common School in Amherst, MA, where I’ve been working since 2004. Most of the time, I am in the classroom doing all the usual academic things: reading, writing, word study, math, science, social studies, arts and crafts. I do fiber and dye projects with kids when I can, and the rest of the time I squeeze it in on weekends and vacations. Continue reading “Inside-Outside”
Way back in August I ran a Japanese indigo vat. Here’s what the bed of Japanese indigo plants looked like on August 20th:
I have only dyed with fresh Japanese indigo leaves a few times, so I am still trying to develop skill with the process. An important part of developing skill is repetition. Another important piece is learning and testing new things, and then trying to understand why they do or don’t work. Luckily, this vat afforded me all of those opportunities!
I picked 22 oz. of plant material, which yielded exactly 1 pound (16 oz.) of leaves trimmed off of the stems. Here are the tips of the plant stalks that I harvested:
On the left are the stems, and on the right is the bag with just the leaves in it. It’s a really beautiful plant! It has sweet little hairs, wrapped-around layers, exciting color contrasts, and an interesting juxtaposition of rigid and luscious textures. Continue reading “Japanese Indigo August 2017”