We’ve had a pretty mild winter thus far around here. Today, though, I have a snow day so I’m catching up on a post I started writing ages ago. This post is about nursing my Japanese indigo plants through the frosts in the fall. When the first frost was forecast on October 10, 2015, I bundled up the plants nice and snug.
I have not done much dyeing lately. My last dye day was on September 6th when I ran my second Japanese indigo vat. Since then, I managed to rinse and dry the skeins, but didn’t get much further than that. They’ve been sitting in a tub waiting for closure. On New Year’s Eve I finally wrapped up that loose end.
As I noted in my original post, I don’t have good photo-documentation about that vat. But at least now I can show you photos of the skeins I dyed. All the yarns are wool. Here are the blue skeins.
This is the next installment about the USDA germplasm project I have been working on this year. In this post I will discuss the definition of “days to maturity”, which was one of the pieces of information I was supposed to be tracking for the USDA. I will also share some of my thinking around how I decided to harvest seeds this summer.
Since there has been a significant lapse of time since my last flax-related post, I will quickly recap. In this first season of the project, I was hoping to increase our supply of seed. I tried to prevent cross pollination by using isolation cages made out of lightweight Agribon and wooden stakes. Half of my project suffered utter crop failure in mid-July due to predation by rodents (or possibly other unidentified flax-stalk chewers and flax-seed eaters). Luckily, the other half of the project escaped largely unscathed, thanks to better weeding, daily monitoring, and cat-pee soaked scraps of cloth pinned to the isolation cages. You can read my earlier posts from April to August of 2015 for more details. Continue reading “Saving Flax Seed: Days to Maturity”
Life has been very busy. Back in July I kept thinking, “July is the month of everything.” Dye plants blooming, flax needing to be harvested, NEH summer institute, NEWS, family weekend at Queen Lake, hiring a new co-worker at school…. I did a lot, but since I can’t do everything, I had to let a lot of things go. No goldenrod or Queen Anne’s lace dye baths this year, and I missed Peggy Hart‘s talk on the history of NEWS, for example.
Then when August came, I thought, “No, August is the month of everything.” Even *more* dye plants blooming, flax *really* needing to be harvested, prepping for school, getting to know my new co-worker…. I did a lot, but ditto July. I had to let a lot of things go. No flax retting experiments. No purple loosestrife or black walnut experiments, despite an absolutely ridiculous abundance of wild dye plants. Very few orange cosmos flowers were collected and frozen. No woad was cut or dyed with. The flax and linen study group website was not updated. Continue reading “The Hurrier I Go”
Last year at the Massachusetts Sheep and Woolcraft Fair I bought several Japanese indigo plants (Polygonum tinctorum, though I’ve heard that perhaps the name has changed). I was very excited and intended to dye with them, but then next thing you know, summer had raced past and they were blooming. I was worried that they would have lost a lot of their color once they started to bloom. And I was worried that I might have a hard time finding plants or seeds again. I decided I’d save them for seed and not use them for dyeing after all. You can recap a couple posts from last year here. And here.
This spring I successfully grew about 40 seedlings, half of which I put in at Bramble Hill Farm and the other half at our community garden plot. I guess I was in a “don’t put your eggs in one basket” mode this spring. Very wise, as it turned out. Continue reading “Japanese Indigo Vat At Last”
It is now mid-July, a time of year which is inevitably humid here in Massachusetts and often rainy. It is also a peak time of year for harvesting many dye plants. The problem is, when it’s humid and/or rainy, where do you hang them up to dry? Not outdoors….
Here are the woad seeds I saved from the dye plant and fiber plant garden at Bramble Hill Farm. This was from just two or three plants, harvested on July 2, 2015. We had been having a dry spell and they had almost entirely dried on the plants before I cut them off. Yes, I do already have a lifetime supply of woad seeds, and yes, they stay viable for a pretty long time. But here’s my crop of woad seeds for 2015. They are very beautiful, in my opinion.
After realizing my mistake with the first attempt at growing Japanese Indigo seedlings, I tried again. On April 25th, I laid out some seeds to sprout in damp paper towels. I’ve used this technique with beans before, but I didn’t think to try it with the Japanese indigo seeds until I heard from Laura Harris, a fellow Seed Savers Exchange member to whom I sent some of my seeds earlier in the spring, that she had done it. And ta da! Success!
Here are a couple photos of the seeds once they germinated.
On Sunday April 19th I decided to start some of my Japanese indigo seeds. You may recall that I was able to save a substantial quantity last fall. I ought to have started them weeks ago, perhaps even months ago. However, earlier in the spring it was hard to believe that the snow would ever melt so I just couldn’t handle seed starting. This past weekend, it was gloriously warm and it was clear that spring had triumphed at last. So, I figured it was better late than never.
I borrowed a teeny cold frame from school, which has been sitting in the basement over there for years. It needed a little washing and reinforcing. I used our very own compost mixed with potting soil, planted seeds in little six-packs, watered them, and set them in the warm sun. The cold frame is on the wagon is so we can move it around to keep it in the sun, and bring it indoors easily at night.
After I spun up that modest quantity of linen singles yarn (the bleached Louet top I wrote about last time), I got excited about planning a warp for it. I plan to use the handspun as weft. My current thought is to use the wet and dry spun yarns in alternating stripes in the weft. I think this will create stripes of different textures. But what to use for the warp?
I have a motley stash of naturally dyed linen yarns, including 20/1, 20/2 and 40/2 yarns. This project seemed like a good opportunity to use some of it. Since most of my dyeing consists of experiments and small batches, I don’t have a lot of any one color. So, I can’t make the whole warp from a single color, which obviously means I need stripes in the warp. Continue reading “Planning a Linen Warp”
After I wove off that pink warp, dyed with madder, I finally put a new warp on the loom. It’s a blue warp, dyed with woad, for more “Jack Frost” pattern bookmarks. Amazingly enough, the first three came out exactly the same length! This is a feat of consistency of which I am rarely capable, so I was pretty happy. Here they are:
What I have been aiming for in my bookmarks is a woven length of 10 inches, with 1 inch of fringe on each end. This allows them to fit exactly into the stylish wrappers Matthew designed, which are 12 inches long. Continue reading “Bookmark Success!”