Green Yarn

This has been an extremely prolific year for Queen Anne’s Lace, also known as wild carrot or Daucus carota. It is absolutely everywhere!

Back in July I ran two dyebaths with fresh Queen Anne’s Lace flowers. Since it’s so abundant, I decided to just use the flowers this time, though you can use the whole plant. For the first dyebath, I had no trouble collecting 30 oz. of flowers from various spots around Amherst, including the sides of parking lots, the side of the road, and next to bus stops.

The flowers are incredibly fragrant and sticky, and consequently they host a huge range of insects. When you pick the flowers, all the insects come along, too. This fact gave rise to a new house-hold rule:

I weighed the plant material outdoors! I also made the first dyebath outside on the portable electric stove outdoors. We had some rainy weather after that, so I made the second dyebath indoors using 24 oz. of flowers that I picked in Hadley.

Here’s a pot full of flowers:

Here’s a close-up. It’s a really beautiful plant:

For the first dyebath, I filled the pot with water, heated it to 140 degrees, maintained that for an hour, and then let the plants soak in the pot overnight. The relatively low temperature was due to the fact that my portable electric burner has two rings. One of them can get very hot, but the other only has a “simmer” setting. The Queen Anne’s Lace was on the simmer side, while I mordanted yarn on the other burner.

Here are the strained flowers after they were heated, soaked, and cooled:

The dyebath looked reddish in the pot, but when I put some of the liquid in a jar, it was light gold. The little white dots are flower petals and maybe pollen that didn’t strain out.

For this project, I decided to over-dye some blue woad-dyed woolen yarn from last summer. I hadn’t bothered to mordant the yarn for the woad vat originally, so I had to mordant the skeins before overdyeing with Queen Anne’s Lace. I used aluminum sulfate at the ratios recommended in Rita Buchanan’s A Dyer’s Garden (1 tablespoon per 4 oz. of fiber). It looked pretty funny to put the blue yarns in a pot with clear water:

To mordant wool with aluminum sulfate, pre-soak the scoured yarn in water for at least an hour in a separate tub. Dissolve the mordant in a pot of hot water, then add the wetted out yarn. Bring the temperature up to 180 degrees, maintain that for an hour, then shut off the heat and let the fiber cool in the mordant bath as long as possible. In this case, it cooled overnight.

The next day, I put a 6 oz. skein into the first Queen Anne’s Lace dyebath, heated it to 160 degrees, and kept it between 160-180 degrees for an hour. I let it cool from 10 a.m. to 4 p.m., then pulled it out to dry before rinsing it. I got a very nice shade of green!

Here’s the skein while it’s still in the dyepot, shown with another skein of the same, original shade of blue for comparison. Colors are always darker when they are wet:

Here’s the green skein dripping and drying outside, amidst all the other gorgeous greens of July:

I used the first dyebath again to over-dye a 3 oz. woad-blue skein of wool, and got more of a slate shade of green (less yellow, more blue). It’s in the center in the photo below. When you use the same dyebath again it’s called “exhausting” the bath, and usually results in a lighter color. After the exhaust bath, I poured out the liquid.

The second dyebath I made a couple days later wasn’t quite as strong, only 24 oz. I heated it to 200 degrees, maintained that for an hour, and cooled it overnight. Again, I got a beautiful shade of green on a woad-blue skein. Here are the three skeins once they were all rinsed and dried:

I used the exhaust bath from the second dye bath to over-dye 7 oz. of mohair. It was an extremely pale gray-blue from an exhausted woad vat last summer. I ended up with a sort of pale silvery gray. which was not what I was expecting. In the photo below, there’s a light-yellow lock on the top left corner that shows what the color would have been if the mohair wasn’t already gray-blue.

There is still plenty of Queen Anne’s Lace blooming now that it’s mid-August, but I may turn my sights to other plants next. Goldenrod, perhaps.

Swamp Milkweed Sightings

I first learned to identify swamp milkweed (Asclepias incarnata) in 2012 after discovering some lovely fibers near my sister’s apartment in Maryland. In 2015 I acquired some plants from Nasami Farm in Whately, MA for the Common School‘s fiber and dye plant garden at Bramble Hill Farm. For all this time, I have been keeping an eye out for it “in the wild” but haven’t seen it. Until now!

This month I have been spotting swamp milkweed all over the place. The first place I noticed it was in the bluebird field at Amherst College on July 6th. Admittedly, these photos are a bit like photos of Big Foot: blurry and indistinct. Trust me, though, it is swamp milkweed!

The next place I caught a sighting was in the Lawrence Swamp area of the Norwottuck Rail Trail in Amherst. It was right in the swamp, aptly. We could see several plants further out, but ran into the same blurry Big Foot photo problem. This one was close to the edge of the trail:

Continue reading “Swamp Milkweed Sightings”

Apocynum cannabinum on the Hadley Dike

In my Fiber Fiber Everywhere post back in April, I noted that there are fiber plants all over the place where I live in Western Massachusetts. Recently I noticed a new one!

On June 26th, while walking along the dike in Hadley, I noticed a potential fiber plant that I had never noticed there before. I am pretty sure it’s Apocynum cannabinum, sometimes called common dogbane, hemp dogbane, or Indian hemp. The UMass Extension website has some helpful information for identification here. If I turn out to be wrong I will let you know. It is possible that some of the fibers I’ve seen on the trail by the river are from old dogbane stalks, and I just never realized it before.

Here’s a view of the whole plant in situ:

The flowers are white:

Continue reading “Apocynum cannabinum on the Hadley Dike”

Fiber Fiber Everywhere

When I’m describing the steps involved in extracting fiber from a fiber-plant such as flax, people often ask, “How on earth did anyone ever figure that out?” I have thought about this question a lot. I have many ideas about it. Some can be backed up with references and citations, and some are just hunches based on my personal experience.

I believe that we humans come from a long line of brilliant thinkers and observers, experimenters and creators. The human use of flax fibers in Europe dates to at least 34,000 years ago. Humans and our human-like relatives and ancestors have been really smart and really creative for tens if not hundreds of thousands of years. Furthermore, primates in general are really smart, so I am happily willing to accept any kind of habitat-modifying, tool-using, culture-teaching behaviors dating back 2 or 3 million years, at least. Which is all very deep. It is admittedly hard to have a clear mental picture of what life might have felt like for a hominid so long ago. Continue reading “Fiber Fiber Everywhere”

Black Walnut Ink

Over the past few weeks in my class at school, we have been making black walnut ink. It is one of the craft and science projects we’re doing as part of our study of Colonial New England. We plan to use the ink to write with quill pens in pamphlet-stitch-bound “copy books” to scribe historical aphorisms such as “Mind your book,” “Strive to learn,” “Call no ill names,” and “Cheat not in your play”. Yes, OK, these are pretty moralistic, but speaking as a primary school teacher, I actually think they are still pertinent to a 21st century classroom in a progressive independent school.

To make the ink we are using the highly composted/aged/fermented contents of a 5 gallon bucket of black walnut hulls in water, which dates back not just one but TWO Autumns ago (i.e., Autumn 2012). Fresh walnut hulls are fragrant, even perfume-like. Mine, as it turned out, had become manure-like. Continue reading “Black Walnut Ink”

Microscopic Fiber Images

Gardening season is kicking into gear here in Amherst, MA. This year I am planning to add swamp milkweed (Asclepias incarnata) and amsonia (Amsonia spp.) to my fiber and dyeplant garden at Bramble Hill Farm. I got the swamp milkweed seeds from my sister, Simone, from a plant near her apartment. You can see a photo of some cordage I made from it in an earlier blog post here.

I was inspired to grow amsonia after botanist and fellow-flax-enthusiast, Carolyn, brought some gorgeous bast fibers from her amsonia plants to one of our flax and linen study group get-togethers. On my initial foray to Andrew’s Greenhouse yesterday I found three varieties of amsonia available, but wasn’t sure which one might be best, so I shot off an email to Carolyn. She sent back some good advice, plus this incredibly awesome link which I must now urgently share with anyone else who might be reading my blog! Continue reading “Microscopic Fiber Images”

More Queen Anne’s Lace

Since Queen Anne’s Lace has been so abundant this year, I wanted to experiment with using the entire plant, roots and all, for dyeing. Quite a lot of plants needed to be weeded out of our garden plot, so on August 2nd I decided to try it. I was pretty certain it would make yellow, which is the most common color from wildflowers, but you never know until you try.

When I am dyeing, I often think of Jill Goodwin’s summary of her dyeing philosophy in her introduction to A Dyer’s Manual. I find two of her points especially comforting and motivational:

  • “Only use the results of other people as a rough guide, for their conditions will not be the same as your own. Prove everything by your own efforts.”
  • “Persevere with each problem, for sometimes after years of thought the solution will become clear.”

So, I do try to prove everything with my own efforts. And I try to persevere with each problem. Hopefully over the years I solve some of them.

Queen Anne's Lace roots and allI pulled up many plants and chopped them up with pruning shears. I got 4 lbs. 8 oz. of plant material. I liked the cauldron-esque look of the dye pots with stems, leaves, flowers, and especially the roots. Whereas the flowers alone smell lemony and sweet while they are simmering, the whole plant smells a bit more like carrots, as you might imagine. Lemony carrots. Continue reading “More Queen Anne’s Lace”

Queen Anne’s Lace and Woad

Supposedly this blog is about dyeing. Even though I don’t seem to write about it very often, I do sometimes actually dye things. This week I had great success with woolen yarns using Queen Anne’s Lace flowers. Plus I managed a successful woad vat, aerated and everything. Here are the lovely yellows, greens, and blues hanging on the line to dry in the back yard (each skein is about 4 ounces).

wool dyed with Queen Anne's Lace and woad Continue reading “Queen Anne’s Lace and Woad”

Mystery Cordage Plant Identified

Simone and I concur that our mystery cordage plant is Swamp Milkweed, Asclepias incarnata. What a name! The milkweeds are named after the Greek god of healing and medicine, Asclepius. According to The National Audubon Society Field Guide to North American Wildflowers (Eastern Region) this is “undoubtedly because some species have long been used to treat a variety of ailments.” The Latin species name incarnata means “flesh-colored,” according to the Audubon Guide. Incarnata doesn’t make it into the “epithets” list in The Hutchinson Dictionary of Plant Names: Common and Botanical, unfortunately. To me the name implies that this is the god Asclepius incarnate (made physical, made flesh, the body of the god), which is spectacular. Continue reading “Mystery Cordage Plant Identified”

Mystery Cordage Photos

Back in May I was visiting family in Maryland, and made some cordage from an unidentified plant growing behind my sister’s apartment. Click here to read the earlier post and Simone’s comment. Now it is in bloom, and she has sent me some photos. At first glance I think it is some kind of milkweed relative, judging by the flowers. I will look into it. Here are the leaves.

mystery cordage leaf structure Continue reading “Mystery Cordage Photos”