After I wove off that pink warp, dyed with madder, I finally put a new warp on the loom. It’s a blue warp, dyed with woad, for more “Jack Frost” pattern bookmarks. Amazingly enough, the first three came out exactly the same length! This is a feat of consistency of which I am rarely capable, so I was pretty happy. Here they are:
What I have been aiming for in my bookmarks is a woven length of 10 inches, with 1 inch of fringe on each end. This allows them to fit exactly into the stylish wrappers Matthew designed, which are 12 inches long. Continue reading “Bookmark Success!”
This post is the latest installment in a longer saga about weaving bookmarks with naturally dyed 40/2 linen. The saga spans many months, if not years. I have posted about these bookmarks in the past. You can read my most recent post about it here.
Or you can just catch up on the back story in this post!
My linen bookmarks are woven with 40/2 linen. They are not too time-consuming to produce, though the pricing still works out to a meager hourly rate when I take into account all the steps involved in the dyeing plus the weaving. Continue reading “Bookmark Failures (Successes Coming Soon)”
Last weekend I went to the Colonial Faire & Muster of Fyfe and Drums in Sudbury at the Wayside Tavern. Alas, the event is no longer posted on their website but I gather it is an annual event hosted by these folks. I’m not a guns-n-war sort of person, no matter what era, but I went because some friends of mine were demonstrating the flax to cloth process in their period costumes with their antique tools. Continue reading “Fun at the Faire”
This is just a short post to say that I’m pleased with my stash of linen yarns. Here they are:
The pink colors at the top come from madder roots, and also the little orange skein on the left. The browns are from black walnut. The light orange in the center is from orange cosmos. The blues are from woad. The greens are from weld with woad on top. The yellows are from weld. This modest-sized basket represents a ton of work, and I am very satisfied!
Continue reading “I Am Pleased With My Linen Yarns”
After my dyeing workshop at Massachusetts Agriculture in the Classroom I had two strong dyebaths left over. One was weld and the other orange cosmos.
The original weld bath was made with 6oz. dried plant material from second year plants in bloom. I had originally divided the bath in half because I wanted to add calcium carbonate to the bath in which I dyed the cellulose cloth swatches, but not to the bath in which I dyed the protein swatch books. I’m not sure that the calcium carbonate would do anything bad to the wool or silk, but I consulted my notes from a workshop with Joan Morris and according to my notes we hadn’t added it to the protein dyebath. I decided not to experiment this time around. Continue reading “Exhausting the Weld Bath–Part One”
Back in December I began working on a new batch of Huck lace heart bookmarks in 40/2 linen, dyed with madder. People buy these at all times of year, but my current motivation is to have them available before Valentine’s Day.
I have a wide range of pink shades to chose from at the moment, so I plan to make a lot and have a good stash of inventory for several months. Last weekend I finished ten in a very pale pink, and this weekend I worked on ten more in a slightly darker, more blue shade of pink. Next weekend I hope to make some rich terra-cotta colored ones.
In the past, the most tedious part of the process of weaving these bookmarks has been the hemstitching. Each bookmark took just over an hour to weave (not including dyeing the yarn and dressing the loom), at least 20 minutes of which was the hemstitching. Until recently, I employed a magnifying glass to assist me with this job, since 40/2 linen is a fairly fine yarn and I will be 45 on my next birthday. Hence, my eyes need some help. Actually, I wrote about using a magnifying glass in an earlier post a couple years ago. Apparently I felt way more philosophical and content about it back then. Continue reading “Newfangled Magnification Technology”
Earlier in November, another teacher at school wanted to dye some cloth to create kid-sized monarch butterfly wings as part of her classroom study of butterflies. Her initial dyebaths, composed largely of marigolds combined with some orange cosmos and wild bedstraw roots, had not yielded the color she wanted. I suggested over-dyeing the cloth with madder roots, even though they weren’t from our garden at school. She decided to use some chopped roots that I had bought from Aurora Silk a few years ago, and was pleased with her results.
I asked her to save me the exhausted dyebath and the roots, which she very kindly did. I spent every spare moment of the next two weeks happily creating various shades of pink and orange on linen and cotton-linen blend yarns. I was well-satisfied with my efforts! Here they are:
Continue reading “Madder the Inexhaustible Root–Part One: Orange”
I finally finished this rya that I’ve had to un-weave and re-weave four times due to various problems and mistakes. The oranges and yellow-orange are dyed with orange cosmos. The brown is black walnut, and the blue at the center is dyed with woad. What looks like a solid orange block around the outside is actually two shades of orange, the darker blending into the lighter. Continue reading “Orange Cosmos Rya”
Well, as it turned out I wasn’t all that satisfied with the huck lace snowflake bookmarks. The variegation in the color made it difficult to see the pattern distinctly, and the shade of blue didn’t help either. This was ironic because I had been extremely happy with the yarn when I dyed it. It’s a nice dark blue, which is not easy to get with woad on cellulose. But it’s a bit too dark for effective lace, it seems. Not enough reflectivity, perhaps.
Here are a couple images of a snowflake motif in woad blue 40/2 linen.
Continue reading “Jack Frost Bookmarks”
Back in September, I finished a custom order of 8 books, which was very satisfying. I used only naturally-dyed pattern weft, in linen, cottolin, and cotton (the warp and tabby wefts were commercial). I had a variety of weld-dyed yellow, madder-dyed pink and terra-cotta, and woad-dyed blue yarns to work with. They were all woven in an overshot pattern called Young Lovers Knot, which I have been using for my book cloth for about a year now.
You may recall my frustration earlier in the spring when I was weaving the cloth, and I was bored of weaving the same pattern over and over again. I complained about it at the time, and then got re-inspired when I bought some new tabby weft colors. I also switched from weaving the design star fashion, which creates boxes and distinct diagonal lines as you weave, to weaving rose fashion, which makes the motifs rounded and gives a sense of concentric circles rippling outward. Continue reading “Recent Books”