Well, as it turned out I wasn’t all that satisfied with the huck lace snowflake bookmarks. The variegation in the color made it difficult to see the pattern distinctly, and the shade of blue didn’t help either. This was ironic because I had been extremely happy with the yarn when I dyed it. It’s a nice dark blue, which is not easy to get with woad on cellulose. But it’s a bit too dark for effective lace, it seems. Not enough reflectivity, perhaps.
Here are a couple images of a snowflake motif in woad blue 40/2 linen.
Continue reading “Jack Frost Bookmarks”
It is tricky to squeeze in weaving around teaching and my shifts at the Shelburne Arts Co-op, since weaving is a time consuming process, multi-step. I usually have to break a project into incremental tasks. That way I can do a step even if I only have a small window of time, and still feel like I am making progress.
After I wove off the Hop Vine bookcloth, I planned to weave a new batch of bookmarks. For this wintery season, I planned to weave a huck lace snowflake motif, based on a project I developed for my Master Weaver Certificate. I called the original design “No Two Snowflakes Are Exactly Alike,” because the project featured 7 different snowflake motifs. To make it work with the same threading and treadling for each, I changed the tie-up between each snowflake. This was a time-consuming way to do it, and I decided it was impractical for items that I intended to sell. So, I decided to just pick one snowflake motif for this batch. I planned to use 40/2 linen naturally dyed with woad from my garden.
For this snowflake bookmark project, a lot of the steps were already done. The yarn was dyed (though still in skeins). The designing was already done. Often times I have to do some math to figure out if I have enough yarn of a given color to make a given project. For this project, I already knew how much dyed yarn I had and roughly how much I needed, based on my calculations from the heart-motif bookmarks. Continue reading “Woad Dyed Snowflake Bookmarks in Huck Lace”
Thanks to a couple days off from work, I have sewn up three new books with the Hop Vine motif. Two have a woad-blue pattern weft, and one has madder-pink pattern weft. Continue reading “Hop Vine Books”
My new book cloth is a variation of a miniature overshot motif called Hopvine. To create my threading I worked from two other drafts. One was “Modified Hopvine” from a sampler from the Hill Institute. The other was “Modified Hop Vine” from Marguerite Davison’s classic A Handweaver’s Pattern Book. The threading from Hill had too many ends in each pattern repeat to suit the scale of my book covers (5.5 inches by 8 inches) so I wanted to make the motif smaller. The Davison draft had fewer ends in a repeat but looked weirdly jittery in the drawdown in my weaving software.
So, I tinkered until I found a satisfying balance in the pattern, and am still tinkering with the treadling. The design consists of two different diamonds, one a longer and more pointed and the other a little more squat and rounded. I am not sure if these are supposed to evoke different elements of a hop vine, for example the leaves and the inflorescences. Or maybe the name of the pattern has a different origin. There are some nice images of hops plants here.
For those of you who recall my emboldening tabby travails of a year ago, you might be surprised to hear that I ran into the same problem of keeping a consistent tabby this time, also. Sigh. Continue reading “Hopvine”
Where I live in Massachusetts, our first frost is usually the first or second week of October. I feel like it has been creeping later and later in recent years, but tonight (Friday October 12th) our forecasted low is 25 degrees. I always find the first frost to be a bitter-sweet moment in the gardening year. By the time it comes, Matthew and I are usually up to our eyeballs in chilis and tomatillos, there is no room in the fridge, and we are sick of watering and weeding and squishing bugs and trying to defend beets, corn, pumpkins, or what-have-you from unknown assailants…. Continue reading “First Frost and Woad Thoughts”
Yesterday I picked 8 and a half pounds of woad leaves. This is a lot, probably the largest quantity I’ve harvested at one time. Many of the leaves are droopy and yellow at this point in the summer. It has been hot and dry, but there is a lot of color in them, so no worries.
I had written earlier in the summer about woad’s enemies. To fend off the cabbage whites, I planted two hyssop plants, which are supposed to help. I could only find anise hyssop, which may or may not be the right type. It definitely attracts the adult butterflies, as a food source I suspect. But I’m not sure it keeps them from laying eggs on the woad, and it’s the caterpillars that eat the woad leaves, not the butterflies.
I think at this point in the summer that slugs are the main predator on the woad, but I did find quite a few cabbage white eggs. The hyssop is very pretty, though, and it smells great, and the woad is doing OK, so even if the cabbage whites are still laying eggs on it, I guess it’s all fine. Continue reading “Another Woad Vat”
The other day I very excitedly set about my first woad vat of the summer. There were lots of supplies and equipment to assemble, dirty 5 gallon buckets to wash, yarns to soak. I got everything ready, and harvested seven and a half pounds of leaves from my glorious woad beds. You can tell from the title of my post that I made a big mistake along the way, but I hope to turn it into a learning opportunity for others, so I relate the tale….
Here are the bags of leaves. They were very clean because we have had practically no rain. Sometimes the leaves are muddy so I rinse them off, but not this time.
Continue reading “Woad Vat Mishap”
Every year I have problems with cabbage white caterpillars eating holes in my woad. Some years are worse than others. The caterpillars are hard to spot and pick off because they are the exact same color as the leaves, or more precisely, the veins. The butterflies are very pretty, of course, because they are butterflies. I have not been able to get a good photo of a cabbage white butterfly (same problem as my earlier bee post), but click on the link above to see some great ones. And the butterflies don’t do any harm, per se. It’s the caterpillars, or cabbage worms, that are the problem.
Here’s a photo of a particularly small and innocuous-looking one sitting on my woad:
Continue reading “Woad Has Enemies”
My woad beds are looking fantastic! I am very pleased about this. For the past couple summers, the woad plants at Amethyst Brook have been small and feeble compared to the woad I grew up at the dye- and fiber-plant garden at Bramble Hill Farm. This year that garden at Bramble Hill has been sadly neglected (well, I’ve been distracted by multiple flax plots), so the community garden is my sole source of woad. Consequently, I made an extra effort to add plenty of composted manure before planting this year. And ta-da, success. Here is one bed before I weeded it the other day:
Continue reading “Woad is Glorious”
In my last post I referred to the germination experiments I did last summer and I went back through old posts so that I could link to the one about woad seeds. However, it turns out that I never wrote about the woad seeds. I spent a long time writing about weld seeds, in the category of “what I did this summer,” then moved on to writing about fall projects.
Here is the belated summary of my woad seed experiments from summer 2011.
I sorted the seeds by color and size. Categories included “black big,” “black small,” “green brown,” “black and gray big,” and “black and green big.” I planted them into little cells with labels.
Here’s a photo of the set up.
And, in short, they all grew. Oddly, the “black big” took longer to grow.
My conclusion from this experiment was that I didn’t need to sort woad seeds and save only the biggest or darkest in color. Also, you need to plant at least twice as many seeds as the number of plants you want, since in each color-and-size category the germination rate was low. I don’t know whether the appearance of the seed has any relationship to the amount of color a plant produces. I doubt it, but it would be hard to prove.