The fiber and dye plants at my plot at Bramble Hill have done a brilliant job of setting seed this fall. It’s very exciting. Since it is nearly All Hallows Eve, or Samhain, or El Dia de los Muertos, depending on your tradition, I have been thinking a lot about the relationship between the dead and the living.
Harvest and abundance, frosts and death. Seeds carry us through from one season to the next, from the death of fall to the life of spring.
Orange cosmos are usually prolific, but this year seemed especially so. Here are some images of the cosmos plants back on October 19th when I harvested the Japanese indigo. A chaotic tangle of flowers, stalks, and seeds. Death and rebirth.
Continue reading “Seeds and Life and Death”
Why two blog posts in one night, you may wonder? I am typically a binge-blogger. Once I finally sit down to deal with photos and organization and writing, I get in a groove and it’s fun to keep going. Tonight, however, I am killing time while I wait up for a tansy dye bath and a wool mordanting bath to get done. Tomorrow I am doing a natural dye workshop for Mass Ag. in the Classroom at their day of hands-on gardening skills. I have been absurdly busy with one thing and another all week, so tonight was my sole free night to wind skeins, scour, mordant, and make the dyebath. It’s more than I usually try to do in a night after work, and makes for a later night than usual. Anyway. I am not actually writing about that. I am writing about my gorgeous Japanese Indigo plants.
After a few frost warnings this month, during which I covered the Japanese Indigo with several layers of sheets, the forecasted temperatures on October 19th were in the 20s. I figured the time had come to cut all the Japanese Indigo and hang it up to dry. You may recall that I had decided to let the plants get as big as possible, and to try to save as much seed as possible, rather than harvest the leaves for dyeing this season. I had brushed off seeds as the flowers stalks matured and dried out, so I already had a pretty nice stash of seeds. But, I read in Dorothy Miller’s seminal book Indigo From Seed to Dye that you can cut the whole plants and allow them to dry, and the seeds will continue to mature. Since I know this is true of flax and some other plants, I was pretty confident that it would work. Continue reading “Japanese Indigo Harvest”
Way back on October 5th, a Sunday, we had a frost warning. I had a shift at the Shelburne Arts Co-op that day, so my time for gardening was limited. In the morning I went over to the garden at Bramble Hill to assess the situation and do triage. I decided to go back to the garden after my shift to cover the Japanese indigo plants because I was hoping to nurse them along for a while to let the seed mature. More on that later.
I did not think it would be possible to cover the hugely tall weld plants, and I could also tell that plenty of seeds had matured on the weld already. I think I have written about this before, but just as a refresher I will remind readers that weld flowers keep growing off of the same stalk throughout the season. At harvest time, the tips will still be in bloom while the oldest seed heads at the base of the flower stalk will be mature. Only black weld seeds are viable. Every other color of seed, from brown to yellow, gets tossed in with the flowering tops, leaves, and stalks for the dye pot. Continue reading “Weld Harvest”
Last weekend I went to the Colonial Faire & Muster of Fyfe and Drums in Sudbury at the Wayside Tavern. Alas, the event is no longer posted on their website but I gather it is an annual event hosted by these folks. I’m not a guns-n-war sort of person, no matter what era, but I went because some friends of mine were demonstrating the flax to cloth process in their period costumes with their antique tools. Continue reading “Fun at the Faire”