On Sunday April 19th I decided to start some of my Japanese indigo seeds. You may recall that I was able to save a substantial quantity last fall. I ought to have started them weeks ago, perhaps even months ago. However, earlier in the spring it was hard to believe that the snow would ever melt so I just couldn’t handle seed starting. This past weekend, it was gloriously warm and it was clear that spring had triumphed at last. So, I figured it was better late than never.
I borrowed a teeny cold frame from school, which has been sitting in the basement over there for years. It needed a little washing and reinforcing. I used our very own compost mixed with potting soil, planted seeds in little six-packs, watered them, and set them in the warm sun. The cold frame is on the wagon is so we can move it around to keep it in the sun, and bring it indoors easily at night.
Continue reading “Japanese Indigo Take One”
After I spun up that modest quantity of linen singles yarn (the bleached Louet top I wrote about last time), I got excited about planning a warp for it. I plan to use the handspun as weft. My current thought is to use the wet and dry spun yarns in alternating stripes in the weft. I think this will create stripes of different textures. But what to use for the warp?
I have a motley stash of naturally dyed linen yarns, including 20/1, 20/2 and 40/2 yarns. This project seemed like a good opportunity to use some of it. Since most of my dyeing consists of experiments and small batches, I don’t have a lot of any one color. So, I can’t make the whole warp from a single color, which obviously means I need stripes in the warp. Continue reading “Planning a Linen Warp”
After I wove off that pink warp, dyed with madder, I finally put a new warp on the loom. It’s a blue warp, dyed with woad, for more “Jack Frost” pattern bookmarks. Amazingly enough, the first three came out exactly the same length! This is a feat of consistency of which I am rarely capable, so I was pretty happy. Here they are:
What I have been aiming for in my bookmarks is a woven length of 10 inches, with 1 inch of fringe on each end. This allows them to fit exactly into the stylish wrappers Matthew designed, which are 12 inches long. Continue reading “Bookmark Success!”
This post is the latest installment in a longer saga about weaving bookmarks with naturally dyed 40/2 linen. The saga spans many months, if not years. I have posted about these bookmarks in the past. You can read my most recent post about it here.
Or you can just catch up on the back story in this post!
My linen bookmarks are woven with 40/2 linen. They are not too time-consuming to produce, though the pricing still works out to a meager hourly rate when I take into account all the steps involved in the dyeing plus the weaving. Continue reading “Bookmark Failures (Successes Coming Soon)”
About a month ago I was tidying up the crafts room. I was trying to get organized so I could weave a new crop of “Jack Frost” bookmarks before the winter holidays.
The crafts room is the room in our apartment which houses my loom, all my yarns, dried dye plants, dye equipment and materials, niddy noddy, swift, scales, carders, and drop spindles. It also contains two large book shelves full of books, a desk, a small filing cabinet, bookbinding supplies and tools, two antique scutching knives and an antique hetchel. The crafts room also contains a lot of dyed fleece and spinning fiber, hand-woven items, notebooks with all my dyeing, weaving, and teaching records, and some fiber magazines. Also, it’s where I store plastic bins with samples and materials for various fiber arts activities that I teach, and an ironing board and iron. And lots of other stuff like dye plant seeds and the beater and reeds for a 40 inch Macomber loom that’s been occupying my mom’s laundry room for a year while I try to figure out what to do with it. I know, that is a nutty list, and I didn’t even list everything. It is in a fairly chronic state of chaos. Continue reading “Three Bags Full”
The fiber and dye plants at my plot at Bramble Hill have done a brilliant job of setting seed this fall. It’s very exciting. Since it is nearly All Hallows Eve, or Samhain, or El Dia de los Muertos, depending on your tradition, I have been thinking a lot about the relationship between the dead and the living.
Harvest and abundance, frosts and death. Seeds carry us through from one season to the next, from the death of fall to the life of spring.
Orange cosmos are usually prolific, but this year seemed especially so. Here are some images of the cosmos plants back on October 19th when I harvested the Japanese indigo. A chaotic tangle of flowers, stalks, and seeds. Death and rebirth.
Continue reading “Seeds and Life and Death”
Why two blog posts in one night, you may wonder? I am typically a binge-blogger. Once I finally sit down to deal with photos and organization and writing, I get in a groove and it’s fun to keep going. Tonight, however, I am killing time while I wait up for a tansy dye bath and a wool mordanting bath to get done. Tomorrow I am doing a natural dye workshop for Mass Ag. in the Classroom at their day of hands-on gardening skills. I have been absurdly busy with one thing and another all week, so tonight was my sole free night to wind skeins, scour, mordant, and make the dyebath. It’s more than I usually try to do in a night after work, and makes for a later night than usual. Anyway. I am not actually writing about that. I am writing about my gorgeous Japanese Indigo plants.
After a few frost warnings this month, during which I covered the Japanese Indigo with several layers of sheets, the forecasted temperatures on October 19th were in the 20s. I figured the time had come to cut all the Japanese Indigo and hang it up to dry. You may recall that I had decided to let the plants get as big as possible, and to try to save as much seed as possible, rather than harvest the leaves for dyeing this season. I had brushed off seeds as the flowers stalks matured and dried out, so I already had a pretty nice stash of seeds. But, I read in Dorothy Miller’s seminal book Indigo From Seed to Dye that you can cut the whole plants and allow them to dry, and the seeds will continue to mature. Since I know this is true of flax and some other plants, I was pretty confident that it would work. Continue reading “Japanese Indigo Harvest”
Way back on October 5th, a Sunday, we had a frost warning. I had a shift at the Shelburne Arts Co-op that day, so my time for gardening was limited. In the morning I went over to the garden at Bramble Hill to assess the situation and do triage. I decided to go back to the garden after my shift to cover the Japanese indigo plants because I was hoping to nurse them along for a while to let the seed mature. More on that later.
I did not think it would be possible to cover the hugely tall weld plants, and I could also tell that plenty of seeds had matured on the weld already. I think I have written about this before, but just as a refresher I will remind readers that weld flowers keep growing off of the same stalk throughout the season. At harvest time, the tips will still be in bloom while the oldest seed heads at the base of the flower stalk will be mature. Only black weld seeds are viable. Every other color of seed, from brown to yellow, gets tossed in with the flowering tops, leaves, and stalks for the dye pot. Continue reading “Weld Harvest”
Way back on Memorial Day weekend, I was lucky enough to find some Japanese indigo seedlings for sale at the Massachusetts Sheep and Woolcraft Fair. I had been wanting to grow this plant, Polygonum tinctorium, for many years, but it’s not that easy to find seeds and we don’t have a good set-up for growing seedlings anyway here at the apartment. I had never come across seedlings before. In a fit of excitement, I bought out the vendor’s entire supply (11 plants) and planted them in the front bed at my dye and fiber plant garden at Bramble Hill Farm with maximum southern exposure. Continue reading “Japanese Indigo Is Flowering”
This is just a short post to say that I’m pleased with my stash of linen yarns. Here they are:
The pink colors at the top come from madder roots, and also the little orange skein on the left. The browns are from black walnut. The light orange in the center is from orange cosmos. The blues are from woad. The greens are from weld with woad on top. The yellows are from weld. This modest-sized basket represents a ton of work, and I am very satisfied!
Continue reading “I Am Pleased With My Linen Yarns”