On March 8th I presented two workshops at the annual conference of Massachusetts Agriculture in the Classroom. You can check out their website here. One workshop was on growing and processing flax, and on ways to incorporate flax into the school curriculum. The other was on growing a dye plant garden at school and using dye plants with kids.
Based on an idea from Joan Morris, shibori artist extraordinaire, I decided to make two swatch books for the dyeing workshop. Each book had five small cloth samples sewn together. The dimensions were 3 inches by 1.5 inches. One swatch book was made up of cellulose (i.e., plant-based) cloth samples, including three kinds of cotton cloth, a linen-rayon blend, and a 100% linen piece. The other was made of protein (animal-derived) cloth, including silk satin, raw silk, and three weights of wool. I mordanted the cellulose swatch books with aluminum acetate at 5% WOG (weight of the goods, or fiber). I mordanted the protein swatch books with aluminum sulfate, at 1 tablespoon per 4 ounces. The protein booklets weighed about 6oz. altogether, and interestingly the cellulose booklets weighed almost the same. Continue reading “Massachusetts Agriculture in the Classroom”
If you read my last post, you may be wondering why I wasn’t totally content with my orange linen, as bright and cheery as it was. Basically it’s because I wanted pink. Light pink, to be exact. Light pink 40/2 linen, to be exact, and lots of it. Why? Well…!
A fortunate side-effect of my successful show with Amanda Quinby at the Shelburne Arts Co-op in Shelburne Falls in October was that I sold all of my usual inventory of naturally dyed linen bookmarks and hand-bound books with hand-woven cloth covers. Hence, I need to weave more! My main objective with this madder exhaust project was to create light pink 40/2 linen yarn for weaving heart-motif bookmarks in Huck Lace. I must confess that all the other lovely colors I obtained were just happy by-products in my quest for pink. Continue reading “Madder the Inexhaustible Root–Part Two: Pink”
Earlier in November, another teacher at school wanted to dye some cloth to create kid-sized monarch butterfly wings as part of her classroom study of butterflies. Her initial dyebaths, composed largely of marigolds combined with some orange cosmos and wild bedstraw roots, had not yielded the color she wanted. I suggested over-dyeing the cloth with madder roots, even though they weren’t from our garden at school. She decided to use some chopped roots that I had bought from Aurora Silk a few years ago, and was pleased with her results.
I asked her to save me the exhausted dyebath and the roots, which she very kindly did. I spent every spare moment of the next two weeks happily creating various shades of pink and orange on linen and cotton-linen blend yarns. I was well-satisfied with my efforts! Here they are:
Continue reading “Madder the Inexhaustible Root–Part One: Orange”
After a glorious and fairly mild autumn, the colder weather arrived about a week and a half or two weeks ago. We have had at- or below-freezing temperatures every night since then. Fortunately it’s been warm and sunny in the day times, so the ground isn’t frozen. It has also been very dry, so the soil isn’t wet or heavy. Perfect weather for digging up the madder bed in my fiber and dye plant garden at Bramble Hill Farm. So, on Saturday I headed over there in the morning… a bright but cold and windy day. Continue reading “Digging up Madder Roots”
This summer I have spent most of my time and energy on weaving, but I didn’t want to let the summer end without at least a little bit of dyeing. So, last Friday I ran a woad vat, following my usual routine based on Rita Buchanan’s directions in A Dyer’s Garden and A Weaver’s Garden. The woad plants in the bed that self-sowed, and the transplants from that bed, were still pretty small. I lost about half of the plants in the bed affected by club root, which left one short bed with decent-sized (though a bit moth-eaten) leaves. I picked from all the beds, and collected two and a half pounds of leaves. I was worried that there wouldn’t be much color in the leaves yet because they were still small, but you can see the “breaking blue” as it oxidizes here on the cut stems:
This is always a good sign. Here I am rinsing off the leaves.
Continue reading “Small Woad Vat”
After I finished the lichen-dyed rya the other day, I was close to the end of the warp. What to do? Plan a small project to make use of it? Cut it off? I had a similar problem earlier in the spring (see my “Too Short Warp” post). At that time I planned out a small project with green and yellow yarns, but I was ultimately stymied and I didn’t end up weaving it. I cut off the warp regretfully, since 8/4 linen warp isn’t cheap and I hate to waste linen because I know what goes into creating it. Continue reading “Green and Yellow Rya”
I finished a new rya. Here it is:
Continue reading “Lichen-Dyed Rya”
Back in September, I finished a custom order of 8 books, which was very satisfying. I used only naturally-dyed pattern weft, in linen, cottolin, and cotton (the warp and tabby wefts were commercial). I had a variety of weld-dyed yellow, madder-dyed pink and terra-cotta, and woad-dyed blue yarns to work with. They were all woven in an overshot pattern called Young Lovers Knot, which I have been using for my book cloth for about a year now.
You may recall my frustration earlier in the spring when I was weaving the cloth, and I was bored of weaving the same pattern over and over again. I complained about it at the time, and then got re-inspired when I bought some new tabby weft colors. I also switched from weaving the design star fashion, which creates boxes and distinct diagonal lines as you weave, to weaving rose fashion, which makes the motifs rounded and gives a sense of concentric circles rippling outward. Continue reading “Recent Books”
I recently heard a little rhyme about the growth habits of perennials that I couldn’t believe I had never heard before: Sleep, creep, leap. This year my yarrow finally got to the “leap” stage. Yarrow, of course, grows wild all over the place and there isn’t necessarily any need to cultivate it. I have only seen it as a white-blooming wildflower (Achillea millefolium, I believe) which sometimes has a purplish or pinkish tinge. It is beautifully frothy and creamy looking. But I do cultivate it because it comes in such beautiful colors, and I have tried several varieties in the garden over the years. For some reason, the red, yellow, and orange ones have not survived, but this year my pink-flowering ones were lush and tall and bloomed in abundance.
Here is a young little yarrow plant early in the spring. It is feathery and burly at the same time. It looks a little bit like Queen Anne’s Lace when it’s young, and they often grow in similar places. But yarrow is fuzzier, almost furry, and more dense.
Here are some buds. At this stage it can look velvety and fuzzy and silvery grey.
This is what my pink-flowering type looks like in full bloom. It’s cheery, and I find it kind of humorous. The shade of pink is so bright that it entirely over-rides the feathery, lacy quality of the foliage. Continue reading “Yarrow (Achillea)”
Since Queen Anne’s Lace has been so abundant this year, I wanted to experiment with using the entire plant, roots and all, for dyeing. Quite a lot of plants needed to be weeded out of our garden plot, so on August 2nd I decided to try it. I was pretty certain it would make yellow, which is the most common color from wildflowers, but you never know until you try.
When I am dyeing, I often think of Jill Goodwin’s summary of her dyeing philosophy in her introduction to A Dyer’s Manual. I find two of her points especially comforting and motivational:
- “Only use the results of other people as a rough guide, for their conditions will not be the same as your own. Prove everything by your own efforts.”
- “Persevere with each problem, for sometimes after years of thought the solution will become clear.”
So, I do try to prove everything with my own efforts. And I try to persevere with each problem. Hopefully over the years I solve some of them.
I pulled up many plants and chopped them up with pruning shears. I got 4 lbs. 8 oz. of plant material. I liked the cauldron-esque look of the dye pots with stems, leaves, flowers, and especially the roots. Whereas the flowers alone smell lemony and sweet while they are simmering, the whole plant smells a bit more like carrots, as you might imagine. Lemony carrots. Continue reading “More Queen Anne’s Lace”