Today I wove the wood thrush’s “egg” part of my nest-like rya. The egg is dyed with woad and Queen Anne’s Lace. The nest is dyed with black walnut. The darkest shade of brown right around the egg is hand-spun naturally brown Romney singles combined with my darkest shade of black walnut. Romney is a breed of sheep. I bought a huge bittersweet chocolate colored fleece many years ago at the Webs Fleece Market, but alas I can’t remember who I bought it from.
Row one:
Once again, thanks to a snow day on Tuesday, I have made more progress on my new rya this week than I might have otherwise. Nevertheless, it is posing many challenges. The design is supposed to resemble an egg in a nest (Matthew’s idea–Thanks, Matthew!). Specifically, I’m thinking of a wood thrush egg, which is a very beloved bird to me. My colors are shades of tan and brown, dyed with black walnut, and blue-green for the egg, dyed with Queen Anne’s Lace and woad. Wood thrushes like to incorporate white material into their nests, so there is a very light colored layer around the outside of my design. Continue reading “Nest Rya”
I finished my rya! Here it is enjoying the warm sunshine outdoors this morning.
The yarns were all hand-dyed by me last July (2012) using woad from my garden and Queen Anne’s Lace from garden “weeds” and from scrubby places around town (e.g., under the powerlines and along the sides of Route 9 and Main St. here in Amherst). The blues are dyed with woad, the yellows are Queen Anne’s Lace, and the greens are Queen Anne’s Lace overdyed with woad. The mordant is aluminum sulfate. The yarns are single ply rug wool. Each knot is made with three strands of yarn. The warp is 8/4 unbleached linen.
This is my 100th post, and I feel very pleased to have made something so pretty to share on this occasion.
Thanks to a snow day on Friday February 8th, courtesy of winter storm Nemo, I got a lot of weaving done on my rya. I was well past the mid-way point by mid-day on Saturday. However, I decided I wasn’t satisfied with the transition from green to celedon to yellow at the center. In the process of redesigning this transition, I decided to make the whole design taller, i.e., more square. I wasn’t looking forward to all the extra work of re-weaving, but I decided I’d rather have a piece I was happy with. Continue reading “Re-Weaving the Rya”
Rya is a Swedish technique for making long-pile rugs or wall-hangings. Historically, as I understand it, these textiles were used as bed-covers. The pile side faced your body in bed, and the “back” side faced up. I am weaving this one to be a wall-hanging.
The knots don’t go all the way to the selvedge. Instead, there is a small area of plain weave at each selvedge called the argatch. Here’s how I weave it:
After about two years of planning a series of naturally dyed rya wall-hangings in my mind, I am finally weaving one! I am very excited about it. There are many steps involved. First, I dyed pounds and pounds of woolen yarn. You can read about the process in earlier posts: black walnut, Lady’s bedstraw, Queen Anne’s Lace and woad, and orange cosmos. This project features Queen Anne’s Lace and woad.
Then, I set up the warp. It is 8/4 natural linen from Webs,124 ends, a little shy of 21 inches wide in the reed, set at 6 ends per inch in a 12 dent reed, sleyed 1-0-1-0-1- etc.. When it’s done I expect it will be about 14 inches high. Continue reading “Rya Weaving”
Well, as it turned out I wasn’t all that satisfied with the huck lace snowflake bookmarks. The variegation in the color made it difficult to see the pattern distinctly, and the shade of blue didn’t help either. This was ironic because I had been extremely happy with the yarn when I dyed it. It’s a nice dark blue, which is not easy to get with woad on cellulose. But it’s a bit too dark for effective lace, it seems. Not enough reflectivity, perhaps.
Here are a couple images of a snowflake motif in woad blue 40/2 linen.
It is tricky to squeeze in weaving around teaching and my shifts at the Shelburne Arts Co-op, since weaving is a time consuming process, multi-step. I usually have to break a project into incremental tasks. That way I can do a step even if I only have a small window of time, and still feel like I am making progress.
After I wove off the Hop Vine bookcloth, I planned to weave a new batch of bookmarks. For this wintery season, I planned to weave a huck lace snowflake motif, based on a project I developed for my Master Weaver Certificate. I called the original design “No Two Snowflakes Are Exactly Alike,” because the project featured 7 different snowflake motifs. To make it work with the same threading and treadling for each, I changed the tie-up between each snowflake. This was a time-consuming way to do it, and I decided it was impractical for items that I intended to sell. So, I decided to just pick one snowflake motif for this batch. I planned to use 40/2 linen naturally dyed with woad from my garden.
For this snowflake bookmark project, a lot of the steps were already done. The yarn was dyed (though still in skeins). The designing was already done. Often times I have to do some math to figure out if I have enough yarn of a given color to make a given project. For this project, I already knew how much dyed yarn I had and roughly how much I needed, based on my calculations from the heart-motif bookmarks. Continue reading “Woad Dyed Snowflake Bookmarks in Huck Lace”
My new book cloth is a variation of a miniature overshot motif called Hopvine. To create my threading I worked from two other drafts. One was “Modified Hopvine” from a sampler from the Hill Institute. The other was “Modified Hop Vine” from Marguerite Davison’s classic A Handweaver’s Pattern Book. The threading from Hill had too many ends in each pattern repeat to suit the scale of my book covers (5.5 inches by 8 inches) so I wanted to make the motif smaller. The Davison draft had fewer ends in a repeat but looked weirdly jittery in the drawdown in my weaving software.
So, I tinkered until I found a satisfying balance in the pattern, and am still tinkering with the treadling. The design consists of two different diamonds, one a longer and more pointed and the other a little more squat and rounded. I am not sure if these are supposed to evoke different elements of a hop vine, for example the leaves and the inflorescences. Or maybe the name of the pattern has a different origin. There are some nice images of hops plants here.
For those of you who recall my emboldening tabby travails of a year ago, you might be surprised to hear that I ran into the same problem of keeping a consistent tabby this time, also. Sigh. Continue reading “Hopvine”
On Wednesday November 14th I gave a presentation to the Weavers of Western Massachusetts (12/24/2023 Edited to add, they have a website now so I added a link!) about my Coptic bound books with handwoven cloth covers. It was very flattering to be invited to share my work with such an accomplished group of weavers, and I really appreciated the opportunity to talk about my process to an interested audience. It was a lot of fun. Continue reading “Guild Presentation”
